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• 10 Cloverfield Lane movie reviews & Metacritic score: Waking up from a car accident, a young woman (Mary Elizabeth Winstead) finds herself in the basement of.
• A movie of John Goodman, Mary Elizabeth Winstead, John Gallagher Jr., Douglas M. Directors: Dan Trachtenberg. 10 Cloverfield Lane 2016 free streaming 10 Cloverfield Lane.

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10 Cloverfield Lane Movie Download Free

• 10 Cloverfield Lane alternates moods seamlessly, ratcheting tension to the breaking point and then deflating it with black humor.
• Don't give away the secret of this J.J. Abrams production, which begins as one sort of movie before turning into another sort of movie but manages to be continuously bad.
• Trachtenberg ... smothers the action in showy camera work and an overly insistent music score. But, as the mystery unravels, he reveals flashes of a giddily hyperbolic pop imagination.
• Put this down, close this tab, go to your local multiplex and just buy a ticket. Even better if you haven't seen more than a teaser trailer. Do not pass go, do not collect $200, proceed directly to the theater.
• Great publicity, dumb move. The title alone is a spoiler.

• New York Magazine/Vulture

  3/11/2016 by David Edelstein

  10 Cloverfield Lane does what it needs to do: make you sit and squirm and want very badly to know. It has the appeal of suspense radio plays from the '30s and '40s and even a touch of Orson Welles's most infamous Mercury Theater broadcast.
• The horrors of that bunker far outweigh anything that could be waiting for them outside. Sometimes what is right in front of you is plenty terrifying enough.
• 10 Cloverfield Lane is rewardingly claustrophobic, keeping its focus tight on the characters and their cramped space while whatever disasters there are loom outside the bunker.
• Winstead also makes a terrific heroine; her character is a problem-solver, not a freaker-outer, and it's a stressful sort of fun watching her devise one plan after another to get around Howard's creepy patriarchal rules.
• Take away the disappointing, disjointed, and anti-climactic final act, and this is an effective white-knuckle psychological thriller.
• It is designed to be fun, efficient and accessible and delivers precisely and exactly on that and nothing more.
• Winstead gives a strong performance as a captive who never gives up her fight. Goodman strikes a fine balance between nurturing caregiver and frightening captor, even if, to the detriment of the story, his end game is never really made clear.
• Trachtenberg ratchets up the tension with ease, and even small things are filled with a stomach-turning dread that keeps the film chugging along until its explosive last act.
• This is a work of immense confidence, and the restraint Trachtenberg asks of his leads is remarkable -- Winstead and Goodman quietly excel in what could have easily been wild, loud caricatures.
• The more you know about it, the less fun it will be.
• Goodman's very good, taking care of job one, which is to keep us guessing Howard's intentions. And Winstead is even better, within the parameters of this genre mashup.
• Producer J.J. Abrams, a brilliant marketer, has to eventually open his 'mystery box,' and the intelligence plummets. Never mind that. Go anyway and watch the arrival of the mighty Winstead, who'd do fine in a Room of her own.
• the movie comes loaded with everything a psychological thriller needs to shatter your nerves - and then kicks it up a notch.
• Just serviceable bunker thriller that asks the question, 'Would you want to survive The Big One if it meant being stuck [underground] with the kind of guy who spent his life preparing to survive The Big One?'
• Trachtenberg and his screenwriters, Josh Campbell and Matthew Stuecken, take advantage of the shelter's tight quarters, which contribute to the expected pressure-cooker atmosphere of suspicion and hostility but also open up the punch-drunk comedy ...